As the Executive Editor for Special Projects, I helped create Double Elvis’s strategic roadmaps for show development, showrunning, editorial, production, marketing, and audience growth.

Along the way, I got to contribute to some extremely fun shows — some days it was connecting the Tenderfoot team with an investigative journalist to fill out a story line; on others, finding the right distribution solution for filmmaker Tiller Russell’s podcast, or launching the MVP for a national live-events pod, or overseeing relationships with partners at amazing companies like Amazon Music, Interval Presents, and iHeart Media.

I was also responsible for developing our new-show pipeline — some of which were too ambitious for our small team. Want to make a hit show together? Hit me up and let’s pitch the next great American true-crime podcast series.